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Go with it! - TEįace/Off leaves Amazon Prime on February 28. So it makes sense that he’d team with Nicolas Cage and John Travolta, two of Hollywood’s most baroque actors, for this gloriously silly cat-and-mouse game about an FBI agent who, to hunt down the terrorist that killed his son, replaces his face with that of his target’s. There will always be pigeons flying in slow-motion - flocks of them. His plots flip through pages like a paperback thriller. His shootouts twirl with the surreal pace of a modern dance. Joshua RiveraĬasino Royale leaves Amazon Prime on March 1.Īction dramatist John Woo loves big swings. Nearly 40 years after his introduction, a Bond film begins to confront the character’s legacy by asking questions most of the Craig era would fail to provide compelling answers to. If Casino Royale is guilty of anything, perhaps it’s that it has a little too much clarity on James Bond, portraying the man as the last gasp of a fading empire, a violent relic of masculinity and governmental overreach. Casino Royale’s take on Bond as a real bastard with a fondness for brute force and a cheeky devil-may-care attitude is immediately compelling, and bolstered by placing him opposite Vesper Lynd (Eva Green), a “Bond girl” as complex, if not more so, than her romantic interest. In his first mission as 007, Bond is tasked with sabotaging Le Chiffre (the role that introduced many Americans to Danish star Mads Mikkelsen), a man who specializes in bankrolling terrorists, via high-stakes poker game. As Bond introductions go, few have made as strong a first impression as Daniel Craig, who arrives fully-formed and more closely aligned with author Ian Fleming’s creation. Martin Campbell’s back-to-basics reinvention of James Bond is still, 15 years later, the high-water mark for 007’s 21st-century adventures. Toussaint EganĪmerican Psycho leaves Amazon Prime and Hulu on February 1. American Psycho is a disquieting satire of the seething rage and ravenous violence just barely contained beneath the placid, immaculately polished presentation of corporate America, and somehow a more timely and horrifying work now than when it was first released over two decades ago. The inference is made all the more material for the fact the character is portrayed by Christian Bale, the then-future star of Christopher Nolan’s blockbuster Dark Knight trilogy.
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Patrick Bateman, the yuppie investment banker who entertains himself by moonlighting as a serial killer (or is it the other way around?), thinks and behaves as one would imagine a long lost sibling of Bruce Wayne would. Matt Patchesĭirector Mary Harron and screenwriter Guinevere Turner’s American Psycho adapted Bret Easton Ellis’ controversial novel of the same name and gave cinema one of its enduring symbols of consumer culture nihilism and capitalistic sociopathy. No offense to the once-a-week rom-com Netflix machine, but this is the gold standard. With Amanda Bynes playing the best friend and Patricia Clarkson and Stanley Tucci as two wacky parents, Easy A is a perfectly cast romp with a brain. Easy A, one of future-Oscar-winner Emma Stone’s first big breakout roles, swaps out the 1640s exploits of a Puritan woman at the center of Nathaniel Hawthorne’s The Scarlet Letter for a slut-shamed teen who owns her reputation with a vengeance. The modern romantic comedies has given away to a number of classic-lit reinventions.
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Here there are, 10 of the best movies leaving the major streaming platforms by March 1.
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We’ve combed through the sea of outgoing streaming releases to bring these platforms have to offer during this, the twilight of the year’s shortest month. You’re looking for the good stuff and you don’t have a lot of time. The end of the month means a fresh new crop of interesting films coming to platforms like Netflix, Hulu, and Amazon Prime - but it also means scrambling to say goodbye to all the great movies you forgot about or always meant to get around to but didn’t.